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Julika Rudelius
(1968)
Exposities ( komt/future nu/now voorbij/past)
>> voorbije exposities / past exhibitions
Over de kunstenaar Geboren in Keulen.
Education 1993-95 Hochschule fur bildende Kuenste Hamburg, D 1994-98 Rietveld Akademie (Diplom), Amsterdam, NL
Solotentoonstellingen
2013 ‘Julika Rudelius’, Nieuwe Vide, Haarlem, NL ‘Total Access’, Galerie Reinhard Hauff, Stuttgart, D
2012 ‘Rituals of Capitalism’, Leo Koenig Inc., New York City, USA ‘Julika Rudelius’, Institute of Modern Art @Ksubi, Brisbane, AU ‘What is on the Outside’, Museum for Arts and Design, New York City, USA
2011 ‘Rites of Passage: A Work of Julika Rudelius’, Borges Liberia, Guangzhou, CN
2010 ‘One of Us’, Galerie Reinhard Hauff, Stuttgart, D ‘One of Us’, Galerie Michael Janssen, Berlin, D ‘Julika Rudelius: Soft’, Ursula Blickle Stiftung, Kraichtal, D (cat) ‘Julika Rudelius: Projections’, Center for the Arts at Wesleyan University, Middletown, USA
2009 ‘Study in Obedience’, Galerie Diana Stigter, Amsterdam, NL ‘Ecstatic Truth’ (two person show), Dumbo Arts Center, Brooklyn, USA
2008 ‘Rites of Passage’, Galerie Reinhard Hauff, Stuttgart, D ‘Impakt Event: Julika Rudelius’, Theater ‘t Hoogt, Utrecht, NL
2007 ‘Forever’, Swiss Institute of Contemporary Art, New York, USA
2006 ‘Geld! Julika Rudelius’, Grazer Kunstverein, Graz, AU
2005 ‘Julika Rudelius. Vijf videowerken 2001–2005’, Frans Hals Museum/ De Hallen, Haarlem, NL (cat) ‘Ansichten der Ökonomie/Economic Primacy’, Kunstraum Lakeside/ Die Springerin, Klagenfurt,
2004 Galerie Reinhard Hauff, Stuttgart, D ‘Plus ou moins jeunes’, Centre Culturel Suisse, Paris, F ‘Feuilleton, deel vijf’, Marres, centrum voor actuele kunst, Maastricht, NL (cat) ‘BijlmAir: Your Blood is as Red as Mine’, Stedelijk Museum Bureau Amsterdam/ Artotheek Zuidoost, Amsterdam, NL
2003 ‘You can’t stay in the 80s wearing cowboy boots while the whole world progresses’, Kunsthaus Glarus, CH *(cat)
2001 ‘Julika Rudelius’, Galerie Diana Stigter, Amsterdam, NL ‘Talkshow’, Stedelijk Museum Bureau Amsterdam, NL (cat)
Group exhibitions (a selection)
2013 ‘Verguenza’, La Casa Encendida, Madrid, ES ‘Gatsby Revisited in the Age of the 1%’, University of Connecticut, Storrs, USA ‘From Holland With Love’, Netherlands Fotomuseum, Rotterdam, NL ‘Hey Alter…!’, Lehmbruck Museum, Duisburg, DE 2012 ‘Discreet Charm of the Bourgeoisie – Contempoary Visions of China, Y & C Contemporary Art, Taipei, TW ‘Catch Phrases and the Powers of Language’, Kunsthaus Baselland, Basel, CH ‘Beyond Imagination’, Stedelijk Museum, Amsterdam, NL ‘Remote Viewing’, Kulturhuset Museum, Stockholm, SE ‘Survival Techniques:Narratives of Resistance’, Museum of Contemporary Photography, USA ‘Schlagwörter und Sprachgewalten’, Kunsthaus Baselland, Basel, CH ‘8th International Biennial of Photography and Visual Arts’, Liege, B ‘Where Do We Migrate To?’, Contemporary Art Center, New Orleans; USA(cat) 2011 ‘Role Images - Role Playing’, Museum der Moderne, Salzburg, AT ‘Hors Pistes Festival’, Centre Pompidou, Paris,FR ‘She Devil 5’, MACRO Museo d’arte Contemporanea di Roma, Rome, IT ‘From Interaction to Micro-Sociology’, Art Issue Projects, Beijing, CN ‘On the Metaphor of Growth’, (Traveling Exhibition) Kunstverein Hannover, Hannover,D ;Frankfurter Kunstverein, Kunsthaus Baselland, Basel, CH (cat) ‘Into the Eye of The Storm’, The Israeli Center for Digital Art, Holon, IL ‘Precarious Status’ University Gallery at the University of Florida, Gainesville, FL 2010 ‘The Morality Project Act VI: Remember Humanity’, Witte de With, Rotterdam, NL ‘Double Infinity: Last Two Decades Revisited’, Van Abbemuseum and Arthub Asia, Shanghai, CN ‘Saturday Sessions’, PS1 Contemporary Art Center, New York, NY
(cat) = exhibition catalogue published
‘HBOX’, Traveling Exhibit, New Museum, New York, USA; Laboratorio Arte Alameda, Mexico City, MX, Fondation Beyeler, Basel, CH ‘Inversiones’, Museo de Antioquiq, Medellin, CO ‘Media City Seoul 2010 Biennial’, Seoul Museum of Art, Seoul, KR ‘California Dreamin’, Portugal Arte 10, Lisbon PT ‘Das ist die Lebenswelt’, Neuer Aachener Kunstverein, Aachen, D 2009 ‘ICP Triennial 2009’, International Center of Photography, New York, USA (cat) ‘21st Century Exhibition, Incheon Women Artist Biennial’, Incheon, KR (cat) ‘Heiss Oder Kalt’, Haus der Kulturen der Welt, Berlin, D ‘Heartland’, Smart Museum, Chicago, USA (cat) ‘Actors and Extras’, Argos Centre for Art and Media, Brussels, BE (cat) ‘Golden Agers and Silver Surfer’, Kunsthaus Baselland, Basel, CH ‘Extended’, Museum Für Neue Kunst (ZKM), Karlsruhe, D ‘Rietveld Arsenale’, Venice Arsenale, Venice, IT ‘Rebelle’, Museum voor Moderne Kunst, Arnhem, NL (cat) ‘Looking at Others’, Umjetnički paviljon, Zagreb, HR (cat) 2008 ‘The Possibility of an Island’, MOCA North Miami, Miami, USA ‘Heartland’, Van Abbemuseum, Eindhoven, NL ‘Bare Market’, Thierry Goldberg Projects, New York, USA ‘Hollywould’, 10th Biennale Film, Video & New Media Arts Festival, Hollywood, USA ‘Vertrautes Terrain’, Museum Für Neue Kunst (ZKM), Karlsruhe, D ‘Dutch Dare’, Fondazione Studio Marangoni, Florence, I ‘Courtesy Hans Kemmna’, De Hallen Museum, Haarlem, NL 2007 ‘Art Summer University’, Tate Modern, London, UK ‘Global Feminisms’, Brooklyn Museum, Brooklyn, USA (cat) ‘MachineRAUM – a biennale for video art and digital culture’, Vejle Art Museum, Vejle, DK (cat) ‘Elegance’, Kölnischer Kunstverein, Cologne, D ‘Ready Media’, Montevideo/ Time based arts, Amsterdam, NL ‘Nothing Else Matters’, De Hallen/ Frans Hals Museum, Haarlem, NL ‘Role Model’, Freymond-Guth & Co., Fine Arts/ The John Institute, Zürich, CH ‘Temporarily Disconnected’, Bard Museum, Annandale-on-Hudson, USA 2006 ‘Gwangju Biennale’, Gwangju, KR (cat) ‘Monitoring’, Kulturbahnhof Kassel, Kassel, D ‘The youth of today’, Schirn Kunsthalle Frankfurt, Frankfurt, D (cat) ‘Eastern Neighbours’, Cultural Center Babel, Utrecht, NL ‘World Unlimited’, Museum voor Moderne Kunst Arnhem, Arnhem, NL ‘Momentum 2006’, 4th Nordic Festival of Contemporary Art, Moss, NO ‘30th annual, 6th Biennial exhibition of Visual + Art: Give (a)way’, Limerick, IR (cat) 2005 ‘Respect. Formes de cohabitation’, Musée Dar Si Saïd, Marrakech, M (cat) ‘A Second Sight, International Biennale of Contemporary Art 2005’, National Gallery, Prague, CZ (cat) ‘Migration’, Kölnischer Kunstverein, Cologne, D (cat) ‘Populism’, Traveling Exhibit. Stedelijk Museum Amsterdam, NL, Frankfurter Kunstverein, Frankfurt a,M. and The Contemporary Art Center, Vilnius, LIT ‘Documentary Strategie’,TENT. Centre for Visual Arts, Rotterdam, NL (cat)
‘moving on,Handlungen an Grenzen’, Neue Gesellschaft für Bildende Kunst, Berlin, D (cat) 2004 ‘Untitled’, Tate Modern, London, UK ‘Histoire(s) Parallèle(s) création – confrontation France Pays-Bas’, Institut Néerlandais, Paris, FR (cat) ‘Revisie’, Centraal Museum, Utrecht, NL ‘Antonietta Peeters, Julika Rudelius en Lily van der Stokker’, Stedelijk Museum, Schiedam, NL ‘Verworpenen en zondagskinderen: Aanwinsten 2003’, Frans Hals Museum, Haarlem, NL ‘Teenage Kicks. Adolescence as subject’, The Gallery, Royal Hibernian Academy, Dublin, IR (cat)
‘Wirklich wahr! Realitätsversprechen von Fotografien’, Ruhrlandmuseum, Essen, D (cat) ‘Das zweite Bild’, dreizehnzwei, Wien, Ö/Galerie Olaf Stüber, Berlin, D (cat) 2003 ‘Link’, Stedelijk Museum Amsterdam, NL (cat) ‘Contemporary Dutch Art’, National Museum of Contemporary Art, Seoul, KR (cat) ‘Strangers, ICP Triennial’, International Center of Photography, New York, USA (cat) ‘Utopie van de’, Stedelijk Museum Aalst, B ‘Turbulence’, Centre for Contemporary Art, Kiev, UKR, and Museum voor Moderne Kunst, Arnhem, NL (cat) ‘Beyond beauty’, Galerie Diana Stigter, Amsterdam, NL 2002 ‘Rendez-vous’, Musée d’Art Contemporaine de Lyon, F ‘There’s no accounting for other peoples relationships’, Ormeau Baths Gallery, Belfast, IR ‘Sold’, Christie’s, Amsterdam, NL (cat) ‘Dark Spring’, Ursula Blickle Stiftung, Kraichtal, D (cat) ‘Non Places’, Frankfurter Kunstverein, Frankfurt, D (cat) ‘A’dam & Eve’, De Appel, Amsterdam, NL ‘The People’s Art’, Witte de With, Rotterdam, NL (cat) 2001 ‘You never walk alone’, Stroom, Haags centrum voor beeldende kunst, The Hague, NL ‘Commitment’, Las Palmas, Rotterdam, NL (cat) ‘From Here to Reality – a dutch show’, Index The Swedish Contemporary Art Foundation, Stockholm, S (cat) ‘A Arte do Povo’, Central Eléctrica do Freixo, Porto, P 2000 ‘For Real’, Stedelijk Museum, Amsterdam, NL (cat) ‘Hellenistic’, W139, Amsterdam, NL ‘Scripted Spaces’, Witte de With, Rotterdam, NL ‘Man muss ganz schön viel lernen um hier zu funktionieren’, Frankfurter Kunstverein, Frankfurt a. M., D
Exhibition catalogues (a selection)
2013 Love is Colder than Capital, Kunsthaus Bregenz, April 2013 2012 Beyond Imagination, Stedelijk Museum Amsterdam, November 2012 2011 From Interaction to Micro-Sociology Art Issue Projects, Art Lab, 2011 Where Do We Migrate To? The Center Design and Visual Culture, 2011 Media City Seoul, Seoul Museum of Art, 2010 p.198 2010 Julika Rudelius: Soft Intrusion, Kraichtal: Ursula Blickle Stiftung (monograph) Toegepaste Werkelijkheid, “Applied Reality” Heden August, 2010 p.7 Global Contemporary Artists for Artsist, Sotheby’s June01, 2010 p.18 2009 Dress Codes: The Third ICP Triennial of Photography and Video, New York: Steidl, p. 152-155 Extended, Zentrum für Neue Kunst und Medientechnologie Karlsruhe, p. 232-241 Das Bielefelder Gefuhl, Bielefeld Autoren, Herausgeber und Künstler, p. 72-75 Rietveld Arsenale, Gerrit Rietveld Academie Looking at Others, Radovan Vukovic, Umjetnički paviljon, p. 54-57 2008 The Possibility of an Island, Miami: Museum of Contemporary Art, p. 46-47, 76 Terrain, Karlsruhe: Zentrum für Kunst und Medientechnologie Karlsruhe, p. 61 2007 Global Feminisms, London, New York: Merrell Publishers, Brooklyn Museum, p. 240, 283 Machine-RAUM, a Biennale for Video Art and Digital Culture, Vejle: Vejle Museum of Art, p. 52-53, 63 2006 Momentum 2006: 4th Nordic Festival of Contemporary Art, Moss: Momentum p.38 Gwangju Biennale 2006, Seoul: Designhouse Co. Ltd, volume I: p. 258-259, volume II: p. 148-149 EV+A, 2006 - give (a)way, Oysterhaven: Kinsale: Gandon Editions, p. 18-19, 192-195 The Youth of Today, Köln: Verlag der Buchhandlung Walter König, p. 48, 199 2005 Julika Rudelius, Looking at the other, Five video works, Amsterdam: Valiz publisher (monographie) Respect! Formes de cohabitation/Vormen van samenleven, Amsterdam: Mondriaan Foundation International Biennale of Contemporary Art, Prague: National Gallery, p. 572-573 Projekt Migration, Cologne: Kölner Kunstverein, p. 196-197 The Populism Catalogue, Berlin/New York: Lukas & Sternberg 2004 Erik Kessels, Gabriel Bauret, Histoire(s) Parallèle(s) création – confrontation France Pays-Bas, Paris: Filigranes Éditions Teenage Kicks, adolescence as subject, Dublin: Royal Hibernian Academy Sigrid Schneider, Stefanie Grebe (eds), Wirklich wahr! Realitätsversprechen von Fotografien, Ostfildern (Ruit): Hatje Cantz Das zweite Bild, text by Melanie Ohnemus, Wien: dreizehnzwei 2003 You can’t stay in the 80s wearing cowboy boots while the whole world progresses, interview by Jan van Adrichem, Glarus: Kunsthaus Glarus Link, Amsterdam: Stedelijk Museum Amsterdam/Rotterdam: NAi Publishers XL Photography 2, Art Collection Deutsche Börse, Ostfildern (Ruit): Hatje Cantz, p. 62-63 In or Out, Contemporary Dutch Art, Amsterdam: Canvas Foundation/Seoul: Yellow Sea Cultural Network, Strangers, The First ICP Triennial, New York: International Center of Photography/ Göttingen: Steidel, p.92-95 2002 There’s No Accounting for Other People’s Relationships, text by Suzanna Chan, Belfast: Ormeau Baths Gallery Lex ter Braak, Edwin Jansen, Commitment, een keuze uit drie jaar Fonds BKVB, Amsterdam: Fonds voor beeldende kunsten vormgeving en bouwkunst Nabeelden. Album van niet gemaakte foto’s, Amsterdam: De Balie, p. 78-81 2002 Dark Spring, Kraichtal: Ursula Blickle Stiftung 2001 Non places, New York: Lukas & Sternberg, p. 46-47 The People’s Art/A Arte do Povo, Rotterdam: Witte de With/Porto: Central Eléctrica do Freixo, p. 51 This is for real, Amsterdam: Stedelijk Museum Amsterdam/NAi Publishers, Rotterdam, p. 67-69 Charles Escher, ‘Talkshow’, Nieuwsbrief Stedelijk Museum Bureau Amsterdam no. 64
Articles (a selection) 2013 “Nieuwe Vide, Haarlem”, Trendbeheer January 21, 2013 2012 David Markus, “JULIKA RUDELIUS”, Art In America November 10, 2012 Niels van Maanen, “Julika Rudelius Over Rituals”, Metropolis M, October 2012 Allison Meier, “17 Questions for Artist Julika Rudelius”, ARTINFO August 28, 2012 Yaelle Amir, “Julika Rudelius: Rituals of Capitalism”, Pastelgram Issue #2 August 28, 2012 “Goings on About Town: Art: Julika Rudelius”, The New Yorker August 27, 2012 p. 12 Amanda Parmer, “Critics Picks: Julika Rudelius”, ARTFORUM August 24, 2012 Corinna Kirsch, “Sexy Boys and a Scandal at Leo Koenig,” Art Fag City August 24, 2012 Michael Wilson, “Julika Rudelius: Rituals of Capitalism”, Time Out New York Issue 872 August 22, 2012 p. 36 Karen Rosenberg, “Julika Rudelius: Rituals of Capitalism”, The New York Times August 9, 2012 Shane Ferro, “One-Line Reviews: Our Staff’s Pithy Takes on Shows”, ARTINFO July 20, 2012 Michael Miller, “8 Things to Do in New York’s Art World Before July 15,” Gallerist NY July 9 2012 Antonia Rahofer, “Unter mehr als vier Augen. Zum Gluck: Eine Gesprachsanordnung,” KunstTexte.de March 2012 2010 Neils Van Tomme, “Dependency, Power, and Intimacy, or, The Realm of Universal Prejudice: Julika Rudelius”, Art Papers January/February 2010 p. 27-31 Grislind Nabakowski, “Julika Rudelius: Soft Intrusion”, Springerin February 2010 p. 63 Michael Hubl, “Jeder Sein Eigenes Gefagnis”, Badische Neueste Nachrichten August 4, 2010 Von Marko Schacher, “Rebellion Gegen Eine Verlorene Kindheit”, Stuttgarter Nachrichten September 4, 2010 2009 Dan Gunn, “Reassessing Middle Coast Art”, Art Slant October 27,2009 Kees Keijer, “Ingestudeerde Taal Van De Macht”, Parool June, 23 2009 2008 “The Big Easy” + Rundgang Definitionsversuch,, Westen”, Prinz January 2008 p.115 Tim Ackermann, “Wenn der Osten den Mythos des Westens deonstruiert: des Westens dekonstruiert: “The Big Easy” in Leipzig”, Monopol January 2008 p. 124 Claire Ruud, “Interview: Christopher Eamon”, Fluent~Collaborative Issue #93 February 2008 Aimee Walleston, “Body Map”, TOKION Spring 2008 p. 64-71 Angela Van Der Elst, “Kunst is rijst met groente”, De Groene Amsterdammer August 2008 p. 26-29 Fabiola Santiago, “ ‘Island’ forecasts a bleak future” Miami Herald January 11, 2009 Mark Moorman, “Culturele voorhoedeaan zet” Het PAROOL August 29th, 2008 p.16-17 2007 Roberta Smith, ‘They are artists who are women; Hear them roar’ New York Times 23.03.2007, p. 3 Miguel Amado, ‘Julika Rudelius’, Artforum.com Critic’s pick New York, July 2007 Adriano Sack, ‘Das Beste der Welt’, Vanity Fair Nr. 12 March 2007 p.186 Lauren Cornell, ‘Julika Rudelius’, Time Out New York Issue 614 July 2007 p.77 Peter Schjeldahl, ‘Women’s Work’, The New Yorker April 2007 p.73-74 Leslie Camhi, ‘Breast Intentions’, Village Voice April 11-17, 2007 p.52 Niels Van Tomme ‘Forever’, hART Magazine June 21, 2007 p.15 Hinako Kasagi ‘My Life is Beautiful!?’ Art Paper Nagoya City Art Museum Nr. 74, February 2007 p.1 HTV: Your Bimonthly Arts Paper, No. 68, March-April 2007 p. 5 Pamela Auchincloss, APTInsight Vol. I Fall 2007 p. 43 2006 Sven Lütticken, ‘People’s Party’, Artforum January 2006 p. 61-62 ‘Emerging Artists’, Frieze Nr. 96 January - February 2006 p. 123 2005 ‘Future greats 2005’, Art Review December 2005 p. 78 Sven Lütticken, ‘Postpolitiek, pop en populisme’, De Witte Raaf 116 Julie/Augustus 2005 p. 30-31 2005 Saskia Monshouwer, ‘Vol van plaatsvervangende schaamte’, denieuwe Jaargang 8 Nr. 7 p. 21-22 ‘Im Kaffeefleck die Welt sehen’, Tages Anzeiger, Zürich 23.09.2005 p. 63 ‘Eine andere Sicht’, Neue Züricher Zeitung 5.11.2005 p. 48 2004 Kees Keijer, ‘Schildenpadden en speldenprikjes’, Het Parool (PS van de week) 25 October 2004 Saskia Monshouwer ‘De ambivalentie van goede bedoelingen’, Kunstbeeld 10 October 2004 p. XII-XIII Barbara van Erp, ‘Ik kijk door de ogen van een witte trut’, Vrij Nederland 1 May 2004 Douglas Heingartner, ‘Julika Rudelius’, Flash Art January, 2004 2003 Maria Barnas, ‘En ik dan’, De Groene Amsterdammer 2 August 2003, p. 34-36 Martine van Kampen, Jaap Vinken, ‘Reality-art’, Tubelight nr. 29, November 2003 Jacquine van Elsberg, ‘Ik ga er niet bij lopen als een crimineeltje’, Skrien November 2003 p. 55 2002 Vanessa Joan Müller, ‘Focus auf Julika Rudelius’, Frankfurter Rundschau Magazin 13 April 2002 2001 Sjoukje Posthuma, ‘De raadselachtige video’s van Julika Rudelius’, BLVD December 2001 Maartje Somers, ‘Tussen echt en nep, gedragsexperimenten van Julika Rudelius’, NRC Handelsblad (CS) 14 December 2001 2000 Jacquine van Elsberg, Art house, Julika Rudelius’, Skrien no. 240, February 2000, p. 59
Television broadcasting 2004 Julika Rudelius documentary RAM, VPRO television, 25 April 2004 Metrópolis,Televisión Española, viewing of The highest point and Tagged, 1 April and 30 June 2004
Collections (a selection) The Progressive Art Collection, Cleveland, USA Sammlung Goetz, Munich, D; Sammlung Landesbank Baden-Württemberg, Stuttgart, D; Stedelijk Museum, Amsterdam, NL; Art Collection Deutsche Börse, Frankfurt, D; Museum voor Moderne Kunst, Arnhem, NL; Frans Hals Museum, Haarlem, NL; Musée national d’art moderne / Centre de création industrielle, Centre Pompidou, Paris, F; KPN Telecom, The Hague, NL; Rabobank Netherland, Eindhoven, NL
Screenings at video festivals (a selection) ‘This I Promise You’, Toronto, CN; Shanghai Contemporary Art Fair 2011, CN; 28th Kassel Documentary Film and Video Festival, D; Antimatter Festival 2011Victoria BC, CA; ‘Shift: Electronic Arts Festival’, Basel, CH; La Rochelle Film Festival, F; European Media Art Festival, Osnabrück, D; Ann Arbor Film Festival, USA; Impakt Festival, Utrecht, NL; 9th Rio de Janeiro International Short Film Festival, BR; International Film Festival, MEDIAWAVE, HU; Festival International du Film d’Amiens, F; Bandits Images, Bourges, F; Lux, Nijmegen, NL; Maison Européenne de la Photographie, Paris, ‘Images 22nd Festival’, Images Festival, Toronto, CA; F2nd Annual Detroit International Video Festival, Museum of New Art, Detroit, USA; Nederlands Film Festival, Utrecht, NL; International Festival of New Film, Split, HR; Video festival, National Cinema Museum, Turin,I.; 8 ème “Un festival c’est trop court”, Nice, F; Contemporary Image Collective, “Below Sealevel”, Cairo, EG; ‘Grenzeloos Kijken’, Film by the Sea Festival, Scheveningen, NL
Grants/Prizes
2012 FvBK Production Grant, Amsterdam NL Far East Far West Grant, Hong Kong, CH 2010 Screen Projects – LOOP Award Julika Rudelius, Dressage. Best Gallery Galerie Reinhard Hauff, D Hermès International Production Grant, Hbox, Paris, F 2009 Louis Comfort Tiffany Foundation Grant, New York, USA New York City Production Grant, New York, USA 2008 New York State Council on the Arts Grant, New York, USA SKOR Film Commission: ‘De Samaritaan’, Corveshof/ Hermitage, Amsterdam, NL Amsterdam Prijs, Amsterdam, NL 2004 Nederlands Film Festival, special mention Dutch film critics for ‘Tagged’, Utrecht, NL 2000 KLM (Royal Dutch Airlines), Amsterdam, NL 1999 Robert Bosch Stiftung, Stuttgart, D
Residencies
2008/09 Lower Manhattan Cultural Council Residency, New York, USA 2006 ISCP Residency, New York, USA 2003 BijlmAir residency from Stedelijk Museum Bureau Amsterdam/Artotheek Zuidoost, NL 1999/01 Residency at the Rijksakademie van beeldende kunsten, Amsterdam, NL
Teaching (a selection)
Visiting Professor 2011-2012 Yale University, New Haven, USA 2007-2013 De Ateliers, Amsterdam, NL 2003 Gerrit Rietveld Academie, Amsterdam, NL
Guest Instructor 2013 Rjksakademie van beeldende kunsten, Amsterdam, NL Städelschule Hochschule fur Bildende Kunste, Frankfurt, D Offenbach University of Art and Design, Offenbach, D Bern University of the Arts, Bern, CH 2010 Virginia Commonwealth University, Richmond, USA 2007 Tulane University, New Orleans, USA 2001 Trondheim Academy of Fine Art, Rietveld Akademie, Amsterdam
Lectures 2012 Yale University, New Haven, USA Rockbund Art Museum, “A Study in Obedience”, Shanghai, CN Museum of Contemporary Photography, “Survival Techniques”, Chicago, USA Fudan University, Shanghai, CN 2011 Cooper Union, New York, USA 2010 Camera Club of New York, “Video Subtexts”, New York, USA AVRO Radio Program, “Interview with Julika Rudelius”, Hilversum, NL 2007 Tate Modern, London, UK Swiss Institute, New York, USA 2006 Brooklyn Museum, “Global Feminisms”, New York, USA International Studio and Curatorial Program, New York, USA 2005 Stedelijk Museum, Amsterdam, NL Royal Netherlands Academy of Arts and Sciences, Amsterdam, NL
Juror 2011 Volkskrant Beeldende Kunst Prijs, Amsterdam, NL 2008 Deep Screen: Art in Digital Culture Proposals for Municipal Art Aquisitions, Stedelijk Museum, Amsterdam, NL
(s) = solotentoonstelling
De volgende musea/instellingen hebben werk in hun collectie:
De Hallen Haarlem, Haarlem
Vertegenwoordigd in de volgende bedrijfscollecties:
Achmea Kunstcollectie, Leiden
Rabo Kunstzone, Utrecht
Opleiding aan de volgende academie(s):
Rijksakademie van Beeldende Kunsten, Amsterdam
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Werken Toon afbeeldingen in apart venster
Rituals, 2012 Stedelijk Museum Amsterdam
Forever 4, 2006 Het Noordbrabants Museum
Forever 3, 2006 Het Noordbrabants Museum
Forever 2, 2006 Het Noordbrabants Museum
Forever (1), 2006 Het Noordbrabants Museum
Your blood is as red as mine / portrait 01, 2004, 30 x 42 cm Achmea Kunstcollectie
Zonder titel, 2003 Stigter van Doesburg
Tagged, 2000 De Hallen Haarlem
Zonder titel Museum voor Moderne Kunst Arnhem (MMKA)
Train 2001 Stigter van Doesburg
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